Posts

Showing posts from 2012

The ranking over 2012

Image
I have to say 2012 turned out to be a wonderful year for music. Both in the progressive - and new wave / synthpop scene the releases were wonderful and mostly great productions. At first a list of ten albums would be enough but with so much fine releases over the year I made two top tens. One with the progressive rock music and the other with the new wave / synthpop music. But first the top ten that was send to the magazine I wrote for. The top ten had to be send a couple of weeks ago and since then the number one and number two in that list have switched places, mainly because at the end of November Unheilig released the winter edition of their succesful album Lichter der Stadt and the live album on dvd and cd of their succesful tour of this year. iO Pages top 10 01. It Bites – Map Of The Past 02. Unheilig – Lichter der Stadt 03. The Fixx – Beautiful Friction 04. Big Big Train – English Electric (part 1) 05. Galahad – Beyond The Realms Of Euphoria 06. Clock Opera – Ways To Fo

A Flock Of Seagulls

Image
Oh boy am I excited. Just scored my tickets for the concert at the Bitterzoet in Amsterdam on 26th of Januari. How time has flied. Already three years ago since they played the Paradiso. Recently all their albums were re-released with bonustracks. It's a pity any new material has been released in all those years. The two new tracks they played three years ago sounded promising. Well see what we can expect in two months.

Unheilig Lichter der Stadt / Live

Image
Unheilig Lichter der Stadt / Live (Universal 0602537157259) Unheilig is my sensational discovery of this year. I know the band excist for twelve years now, but until March of this year I never had heard of this German band before. Within months I had all their albums and in June we visited the openings concert of the Lichter der Stadt Tour. And now they released Lichter der Stadt / Live, shot and recorded in the Rhein Energie Stadion in Cologne before an audience of 30,000 people. Compared to the concert in Meppen the stage looks more slicker. The luxe box is a real treasury, with the concert on double cd, on dvd and a second dvd with behind the stage scenes. The images are great and the spectator is drawn in the concert. Overviews are followed by close-ups of band and crowd, which turns this registration not only into a document for the public but the band as well. The sound is excellent and the bombast, like in Grosse Freiheit or the Rammstein alike songs Herzwerk,, Nachts

Unheilig - Lichter der Stadt update

Image
Unheilig announced a winter edition of their succesfull 2012 album Lichter der Stadt. The album will be released on the 23rd of November in a 2 disc edition. The tracklist is as followed: Disk: 1   Das Licht (intro)  Herzwerk  Stark 2012  So wie Du warst  Tage wie Gold  Wie wir waren (feat. Andreas Bourani) Unsterblich  Feuerland  Lichter der Stadt  Ein guter Weg  Ein großes Leben  Brenne auf  Zeitreise (feat. Xavier Naidoo) Das Leben ist schön  Eisenmann  Vergessen  Die Stadt   Disk: 2 Sonne (Schiller feat. Unheilig) Auf ewig  Stark (2012 Henning Verlage version) Unsterblich (spezial version) Live bei den NRW Lokalradios Unter Deiner Flagge Lichter der Stadt  Unsterblich  Geboren um zu leben Tage wie Gold  So wie Du warst  Grosse Freiheit  Ein grosses Leben  Vergessen Ein guter Weg  Für immer  Stark  Mein Stern Sage ja

Galahad - Beyond The Realms Of Euphoria

Image
GALAHAD Beyond The Realms Of Euphoria (AVALON RECORDS GHCD11) Beyond The Realms Of Euphoria's is the second new album of Galahad this year. With this album the group impressively continues the musical path of Battle Scars. Through piano interludes that are not inferior to Beethoven, Mozart or Schubert the group uses the entire musical spectrum, also adding the trance and dance influences from Armin van Buuren, DJ Tiësto and David Guetta.  Perhaps these last ones for the traditional listener of progressive music feels like a shock. But progressive in my view means that the progress of a band has to do with the musical development of a band. Stagnation means decline, and keep copying yourself may lead to happy fans, but I think as a musician it’s drudgery. So I welcome the progression of Galahad. The group puts down a proper mix, where everything falls into place.  Keyboardist Dean Baker occassionally let the listener believe, that we are at a dance party, but

Red Sand - Behind The Mask

Image
RED SAND Behind The Mask (www.redsandmusic.ca SPBN005) After a hiatus of five years with Behind The Mask the Canadian band Red Sand delivers her fourth studio album. It is no secret that the music of the band strongly operate in the Marillion / Genesis vein. Guitarist Simon Caron does not hide the influences an d his playing and solos sound at times like a Steve Rothery clone , although the reference to Steve Hackett certainly is not neglected . It provides at least seven beautiful compositions, which retrieve musical references from the heyday of Genesis (A Trick Of The Tail and Winds & Wuthering ) and Marillion 's Fish period . In Memory Of Past Simon Caron shows his skills, and it seems for five minutes Steve Rothery is leading the band. The almost ten minute long track Mask Of Liberty holds references to Grendel while Veil Of Insanity Part 1 floats on the melody of Your Own Special Way .

Blue Mammoth

Image
BLUE MAMMOTH Blue Mammoth (MASQUERECORDS MRCD0911) Blue Mammoth is established in 2009 by Julian Quilodran (bass) and Andre Micheli (vocals, keyboards). They know eachother since 2003 and already have done several musical projects. Micheli, a graduated from the music education of the federal University of Rio de Janeiro, is responsible for most of the compositions on the debut album of Blue Mammoth. Besides Quilodran and Micheli the band excist of Thiago Meyer (drums) and Andre Lupac (guitar).  The band is influenced by progressive rock of the late seventies / early eighties, with major references to IQ, Eloy and Genesis. Metamorphosis and Who We Are sound like Eloy complete with the characteristic guitar parts and the vocals which reminds me of Frank Boremann. In Growin’ the synthesizer parts of Micheli sounds like Martin Orford at the time of Tales Of The Lush Attic and in Resurrection Day Micheli and Lupac duel eachother with solos. Another strong reference is